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Dorian is an average-to-handsome man, just shy of six feet, and a solid 160 lbs. of muscle. He doesn't look any stronger than a normal person which is dangerously misleading. Dorian's strain of the Curse makes him far more powerful in reality and he's capable of frightening displays of that point. He's ripped cars apart or pulled panic room doors off their hinges, all with his bare hands. His grip is powerful enough to bend steel and crush bone. He's trim but athletic, a physical lifestyle before death combined with military service left him with well-defined arm and leg muscles.
Dorian was there for the Second Industrial Revolution, when the steel mills fired up and the first automobiles began rolling out of Henry Ford's factory. History remembers it as a time of excitement and development, but to Dorian it was largely a novelty. He was a little kid, one of thousands who crawled their way through the tight spaces to work in the different factories. Dorian managed to keep all his limbs intact and to avoid having his head sucked into a thresher but he saw it happen to plenty of other kids. That was life then. He didn't have any parents to watch out for him or feed him if he didn't work. Added to that, Dorian was responsible for his younger sister, and had to see to her well being too. As if often said about such eras, "it was a different time".
Turned out the warehouse was owned by one of his future sire's enemies and they'd been looking for a way to pay the bastard back. Dorian did it for them, inadvertently, which gave them all the deniability in the world. Of course, his sire decided that kind of spirit also didn't just come along every day and made him hers. She approached him; long legs, thin waist, and shark-like eyes. They talked about social injustice and the need for revolution until it was nearly dawn. Then she gave him a half-stake in immortality as her ghoul. Vampire blood was better than bathtub whiskey, that was for damn sure.
Dorian has had a rough life of it and he's not particularly in touch with every social moor that changes. One thing he tends to be on top of is the idea that change is good, often necessary, and violence is an acceptable way to create that change if words falter. He thinks in the big picture more than the small. Dorian could give two fucks who's running the show because the people running the show, at present, are doing a piss poor job of it. He identifies more readily with people who feel repressed or denigrated by "the system". People who feel genuinely put down by 'the man'. That's common ground he can empathize with.